Tragic Flaw

Definition of Tragic Flaw

A tragic flaw is an attribute of a character that ultimately leads to their demise. Not surprisingly, this literary device is commonly found in tragedies. Some definitions of tragic flaw maintain that this characteristic must be a weakness or a failing. However, some tragic flaws can instead be elements of someone’s personality that force them to act a certain way, and in a given situation a character’s desire to stick to his or her principles causes their downfall.

The definition of tragic flaw is very similar to that of the Greek concept of . Indeed, most Greek tragedies had at least one character, whether major or minor, who had a tragic flaw. We also sometimes equate the concept of tragic flaw with that of Achilles’ heel, the one place where the powerful warrior Achilles was vulnerable.

Common Examples of Tragic Flaw

There are many stories of celebrities, politicians, and athletes who are brought down by their tragic flaws. We feel that their deaths are tragedies because we can see how things could have turned out otherwise. Here are some examples of celebrities who died because of their tragic flaws:

Significance of Tragic Flaw in Literature

Tragic flaws have been an important part of character development ever since the time of Greek mythology and . Aristotle described the function of tragic flaws in his treatise on literary theory, Poetics. In Greek mythology and drama, tragic flaws were often given to mortals by the gods. They allow a reader both to sympathize more with a character, as flaws are what make use human (this is especially the case with the Greek gods, who wanted to show the difference between mortals and themselves). Tragic flaws also therefore create more emotional connection when something bad happens to a character. Though the presence of the flaw could lead to blaming the character, we as readers understand that the character is more a victim of both circumstance and their own essential nature.

Examples of Tragic Flaw in Literature

Example #1

CASSANDRA: Not, I swear, that he and I shall die without retribution from the gods: there will come another in turn to avenge us, a child born to kill his mother, one to exact penalty for his father. A fugitive, a wanderer, an exile from this land he will come home to put a coping-stone on these ruinous acts for his family; his father thrown on his back on the ground will bring him back. Why then do I lament so piteously? Now that I have seen Ilion’s city faring as it fared, and those who took the city getting their outcome like this in the gods’ judgment, I shall go and do it: I will submit to death.

(Agamemnon by Aeschylus)

Cassandra is a very interesting character from Greek mythology. The god Apollo wanted her for himself, yet when she resisted him he cursed her with the tragic flaw of being able to predict the future, yet being consistently not believed by anyone. Apollo gave her this tragic flaw as punishment for thinking that she, a mortal, could defy a god. Aeschylus used Cassandra as a minor character in his play Agamemnon, and in the above quote Cassandra recognizes that her tragic flaw has not just led to her being misunderstood. Instead, there are people who are so angry at her for predicting the truth they want her dead. Tragically, she resigns herself to this death.

Example #2

OTHELLO: Then must you speak
Of one that loved not wisely but too well,
Of one not easily jealous but, being wrought,
Perplexed in the extreme; of one whose hand,
Like the base Indian, threw a pearl away
Richer than all his tribe; of one whose subdued eyes,
Albeit unused to the melting mood,
Drop tears as fast as the Arabian trees
Their medicinable gum. Set you down this,
And say besides that in Aleppo once,
Where a malignant and a turbaned Turk
Beat a Venetian and traduced the state,
I took by th’ throat the circumcised dog
And smote him thus.

(Othello by William Shakespeare)

Othello is one of William Shakespeare’s many protagonists who exhibit tragic flaws. Othello is a very trusting man, and he is full of pride and love. In an ordinary situation, this would be an excellent combination of characteristics. However, the villain Iago subverts the situation so that Othello’s own good nature is used to thwart him. Othello trusts Iago, who poisons Othello’s love and pride both by accusing Othello’s wife of cheating. In his tragic final words, Othello famously says that he is “Of one that loved not wisely but too well,” which ultimately leads to his demise.

Example #3

JOHN PROCTOR: Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name!

(The Crucible by Arthur Miller)

Arthur Miller’s play The Crucible centers around the Salem witch trials in the late 17th century. The main accuser of witches, Abigail, has recently had an affair with John Proctor. John Proctor gets embroiled in the witchcraft trials, and is himself accused of tempting the girls into becoming witches. He is forced to confess to the witchcraft to save his life, but has too much pride to let this confession be circulated as the truth. In the famous emotional end to this play, Proctor goes to his own death, saying that his reputation is more important than his life. His pride is the tragic flaw which leads to his death.