Definition of Subplot
A subplot is a supporting story for the main plot in a work of literature. It can involve characters other than the main and , and may not intersect much with the main . However, there is usually some important connection between a subplot and the main plot, either thematically, in , through characters, or because the action in the subplot affects some aspect of the main plot. The definition of subplot can be distinguished from the main plot for many reasons: subplots take up less of the story, they happen to and because of supporting characters, they are often quicker and easier to resolve, and they have less impact. Subplots can also be referred to as “Story B,” “Story C,” and so on in screenwriting.
Common Examples of Subplot
We can see numerous examples of subplots in movies and television shows. Some shows, such as the comedies Seinfeld and Arrested Development, depend on several subplots at once all affecting each other and coming together in an unexpected and humorous way. Here are some examples of subplots in television episodes and films:
- Seinfeld, “The Marine Biologist”: George is caught up in a lie to an old college friend about being a marine biologist. In a subplot, Kramer enjoys hitting golf balls into the ocean. George’s lie is about to be exposed as he walks along the beach with the old college friend and finds a beached whale; someone calls out for a marine biologist. George decides to try to help so as to preserve the lie, and is able to save the whale when he realizes there is a golf ball stuck in its blowhole.
- Friends, “The One with the Blackout”: Five of the six friends are stuck in an apartment when the power goes out in New York City; Ross tries to tell Rachel that he is interested in her while, later, they try to find out who a stray cat belongs to. In a subplot example, Chandler is stuck in an ATM vestibule with a model until the power comes back on.
- Forrest Gump: The film tracks the fantastical life story of a man named Forrest Gump who is not an intelligent man, but somehow happens to be in the right place at the right time many times over. He loves a girl from his youth, Jenny, and as we see the improbable events of Forrest’s life unfold, we also get glimpses from the life that Jenny is leading at the same time.
Significance of Subplot in Literature
Not all works of literature contain an example of subplot. Usually short stories and novellas do not contain a subplot because there is only space for the main plot itself. On the other hand, many novels contain a multitude of subplots; so many that the main plot might be difficult to articulate. In the recent series A Song of Ice and Fire (more commonly known as Game of Thrones) by George R. R. Martin, it is nearly impossible to say who is the chief protagonist, and which of the other many dozens of narratives is a subplot. In this kind of book, the concept of a subplot is less meaningful.
Subplots can be very important to the overall structure of a work of fiction, especially in a novel or play. Subplots can serve any number of the following important functions: introduce new characters, develop the main , heighten or release tension, increase the protagonist’s , provide twists in the action, challenge or teach a moral lesson, create mood, and so on. For a novel-length plot, it is usually considered necessary to have at least a few subplots to keep the action moving forward and keep the attention of the reader.
Examples of Subplot in Literature
HAMLET: The play’s the thing
Wherein I’ll catch the conscience of the king.
Trumpets sound. The dumb show begins.
Enter a King and a Queen very lovingly, the Queen embracing him and he her. She kneels and makes show of protestation unto him. He takes her up and declines his head upon her neck, lays him down upon a bank of flowers. She, seeing him asleep, leaves him. Anon comes in a fellow, takes off his crown, kisses it, pours poison in the King’s ears, and exits. The Queen returns, finds the King dead, and makes passionate action. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her. The dead body is carried away. The Poisoner woos the Queen with gifts. She seems loath and unwilling awhile, but in the end accepts his love.
(Hamlet by William Shakespeare)
There are many different subplots in William Shakespeare’s Hamlet. One of the most interesting is the “play within the play” concept, which we see above. Hamlet decides to use a group of players to enact what happened with his father and Claudius. Though it’s Hamlet’s idea, the enactment of this second play onstage is an example of subplot.
Look’ee here, Pip. I’m your second father. You’re my son—more to me nor any son. I’ve put away money, only for you to spend.
(Great Expectations by Charles Dickens)
In Charles Dickens’s novel Great Expectations, the protagonist Pip has an unknown benefactor. Late in the book it’s revealed to be the criminal Magwitch, who speaks in the excerpt above. Magwitch’s storyline is a subplot which intersects with Pip’s only at the most important moments.
The Ash Wednesday before [the seventeen Aurelianos] went back to scatter out along the coast, Amaranta got them to put on Sunday clothes and accompany her to church. More amused than devout, they let themselves be led to the altar rail where Father Antonio Isabel made the sign of the cross in ashes on them. Back at the house, when the youngest tried to clean his forehead, he discovered that the mark was indelible and so were those of his brothers. They tried soap and water, earth and a scrubbing brush, and lastly a pumice stone and lye, but they could not remove the crosses. On the other hand, Amaranta and the others who had gone to mass took it off without any trouble.
(One Hundred Years of Solitude by Gabriel García Márquez)
Gabriel García Márquez epic novel One Hundred Years of Solitude is a huge family , and it might be difficult to say just who exactly is the main character. However, it is often considered to be Colonel Aureliano Buendía, around whom much of the action circulates. In an important subplot, Aureliano has seventeen illegitimate sons, all of whom are named Aureliano. On a fateful Ash Wednesday, they all get marked with an ashen cross and are later unable to wash off the ashes. Later on, Aureliano says he will arm his many sons to help him, and each one is hunted down and killed due to his ashen target on his forehead.
Hermione’s immense workload finally seemed to be getting to her. Every night, without fail, Hermione was to be seen in a corner of the common room, several tables spread with books, Arithmancy charts, rune dictionaries, diagrams of Muggles lifting heavy objects, and file upon file of extensive notes; she barely spoke to anybody and snapped when she was interrupted.
(Harry Potter and the Prisoner of Azkaban by J. K. Rowling)
Though the world of Harry Potter contains hundreds of characters, there is no question that Harry himself is the protagonist. Even his best friends Ron and Hermione are supporting characters. In a very important subplot from the third installment in the series, the hardworking Hermione seems to be surprisingly overwhelmed with her schoolwork. It’s revealed late in the book that she has been using a time traveling device to attend double the number of classes. This necessary tool leads to Harry and Hermione freeing two falsely accused prisoners.